The White Problem: Complicty
Mixed media ceramic “portraiits” of my maternal ancestors. None of them carried their own surnames, owned property of their own, or voted. They all, however, benefited from the colonial project, arriving in North American in the 1600s and supporting their husbands, fathers, sons as they took land and resources and made lives that resulted in my priveledges and opportunities.
Pestilence
Ceramic and18th & 19th century nails.
Sugar Plantation
Ceramic & Sugarcane
Small Sugar Cane Jar
Ceramic & Sugar Cane
Bone
Watercolor, ca. 1977
Ancestor Pot
Ceramic with underglaze illustration
Jerusha Waits for Her Father's Return
Embroidery
